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They were doing it, I recalled, logging this holler, even while I was here.somehow I had thought nothing of it at the time, which caused me to wonder what else I might have missed!" (224) Smith on the other hand scripted every line with care. The lumber companies had stripped the timber out all the way up the mountain, on both sides of the holler. He noted, “Nothing had been done with thought or care of consequence, I noted - lumber tripped and the land left, machine parts everywhere rusting, trash and refuse out in the yards in from of the homes, if you could call them that, and children - children everywhere, ragged and dirty, in the road and in the filthy bare yards along it.I had never seen anything like it. "They were quite a shock to me, validating somehow my theory of photography if not life itself: the way a frame, a photograph, can illumine and enlarge one's vision rather than limit it." (223) The mind’s eye often allows us to ignore what we don’t want to be know, in the same manner that Richard ignored the deforestation and damage caused by mining when he was part of the community. Lee Smith’s words open a view of Appalachia with the surprising honesty of her character Richard Burlage’s photographs. The story is plain, gripping, and evocative.
Oral History tells the story of multiple generations of the Cantrell family through one or more voices of each generation.
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